World Masterpiece Theater
SILVER ZERO SUBS
Child Welfare Culture Award Winner
http://silverzerosubs.blogspot.com/
Edited by JPET
Theme song "To hear the words of a song" Lyrics - Kishida Eriko Composed and Arranged - Miyoshi Akira
Kikoeru kashira
Original story by Lucy Maud Montgomery
AKAGE NO ANNE
Do you hear? Hooves beating
Hizume no oto
A carriage glides over the gentle hills
Yuruyakana oka wo nutte
Kaketekuru basha
It lifts me up, It lifts me up
Mukae ni kuru no mukae ni kuru no ne
And it takes me
Dare ka ga
Watashi wo tsureteyuku no ne
Shiroi hana no michi he
To the avenue with white flowers
To where the wind comes from
Kaze no furusato he
It takes me
Tsureteyuku no ne
It takes me.
Tsureteyuku no ne
Nippon Animation
Marilla Cuthbert is Surprised
Matthew Cuthbert had intended to welcome his adopted boy at the station.
But there was a red-haired, skinny girl there instead.
How beautiful!
I didn't think I've ever seen such a wonderful lake.
Why is the carriage trembling so much?
I really like this feeling.
Please stop here for a while?
That pear tree is like a girl clothed in white,
viewing her reflection upon the lake.
It'll get late if we don't set off soon.
Let's go.
Goodnight, Mr. Lake of shining waters.
I say good night to my favourite things,
because I feel it would make them happy.
Look! That lake looks like it is smiling in gratitude.
That's Barry's pond.
But I feel "Lake of Shining Waters" is more suitable.
Yes, that is the right name for it. I know because of the thrill.
When I hit on a name that suits exactly it gives me a thrill.
Do things ever give you a thrill?
Well now, yes.
It always kind of gives me a thrill to see them ugly white grubs
that appear when digging in the cucumber beds. I hate the look of them.
Oh, I don't think that is exactly the same kind of a thrill.
But why do other people call it Barry's pond?
Well now, I reckon because Mr. Barry lives up there in that house.
Green Gables is right behind it.
Has Mr. Barry any little girls?
Well, not so very little either... About my size.
He's got one about eleven. Her name is Diana.
Oh! What a perfectly lovely name! Like the moon goddess!
Well now, I dunno. There's something dreadful heathenish about it.
We're pretty near home now. That's Green Gables over...
Please, don't tell me!
Let me guess.
I'm sure I'll guess right.
That's it, isn't it?
Well now, you've guessed it!
But I reckon Mrs. Spencer described it so's you could tell?
No, she didn't...
All she said it might just as well have been about most of those other places.
I hadn't any real idea what it looked like.
But just as soon as I saw it I felt it was home.
Oh, it seems as if I must be in a dream.
Do you know, my arm must be black and blue from the elbow up,
for I've pinched myself so many times today.
Every so often a horrible sickening feeling would come over me
and I'd be so afraid it was all a dream.
But it is real and we're nearly home.
Listen to the trees talking in their sleep.
What nice dreams they must have!
Matthew Cuthbert, who's that? Where is the boy?
There wasn't any boy. There was only her.
No boy! But there must have been a boy!
We sent word to Mrs. Spencer to bring a boy.
Well, she didn't. She brought her.
I asked the Station-master.
What did you say? You didn't ask her the reason?
Well...I was late...
And I had to bring her home.
Well, what are we going to do?
You don't want me!
You don't want me because I'm not a boy!
I might have expected it. Nobody ever did want me.
I might have known it was all too beautiful to last.
I might have known nobody really did want me.
Oh, what shall I do? I'm going to burst into tears!
Burst into tears she did.
Marilla and Matthew looked at each other deprecatingly across the stove.
Neither of them knew what to say or do.
Finally Marilla stepped lamely into the breach.
Well, well, there's no need to cry so about it.
Yes, there is need!
You would cry, too!
If you were an orphan and had come to a place you thought was going to be home..
and found that they didn't want you because you weren't a boy
you would cry too.
Oh, this is the most tragic thing that ever happened to me!
Well, don't cry any more. We're not going to turn you out-of-doors tonight.
What is her name?
W-well. I have yet to ask her.
What's your name?
Will you please call me Cordelia?
Call you Cordelia? Is that your name?
No-o-o, it's not exactly my name...
but I would love to be called Cordelia.
It's such a perfectly elegant name.
I don't know what on earth you mean.
If Cordelia isn't your name, what is?
Anne Shirley.
But, oh, please do call me Cordelia.
It can't matter much to you what you call me
if I'm only going to be here a little while, can it?
And Anne is such an unromantic name.
Unromantic fiddlesticks!
Anne is a real good plain sensible name.
You've no need to be ashamed of it.
Oh, I'm not ashamed of it,
only I like Cordelia better.
I always imagine that my name is Cordelia.
But when I was young, I used to imagine it was Geraldine.
But if you call me Anne...
please call me Anne spelled with an 'E'.
What difference does it make how it's spelt?
Oh, it makes such a difference.
It looks so much nicer.
When you hear a name pronounced can't you always see it in
your mind, just as if it was printed out?
I can.
If you'll only call me Anne spelled with an 'E',
I shall try to reconcile myself to not being called Cordelia.
Very well, then, Anne spelled with an 'E',
can you tell us how this mistake came to be made?
Were there no boys at the asylum?
Oh, yes, there was an abundance of them.
But Mrs. Spencer said distinctly that you wanted a girl about eleven years old.
You don't know how delighted I was.
I couldn't sleep all last night for joy.
Why didn't you tell me at the station that you didn't want me and leave me there?
If I hadn't seen the White Way of Delight
and the Lake of Shining Waters it wouldn't be so hard.
What on earth does she mean?
She...she's just referring to...
some conversation we had on the road.
I'm going out to put the mare in, Marilla. Have tea ready when I come back.
Did Mrs. Spencer bring anybody over besides you?
She brought Lily Jones for herself.
Lily is only five years old and she is very beautiful and had nut-brown hair.
If I was very beautiful and had nut-brown hair would you keep me?
No. We want a boy to help Matthew on the farm.
A girl would be of no use to us.
Take off your hat. I'll lay it and your bag on the hall table.
You're not eating anything!
I can't.
I'm in the depths of despair.
Can you eat when you are in the depths of despair?
I've never been in the depths of despair, so I can't say.
Weren't you?
Well, did you ever try to imagine you were in the depths of despair?
No, I didn't.
Then I don't think you can understand what it's like.
It's a very uncomfortable feeling indeed.
When you try to eat, a lump comes right up in your throat
and you can't swallow anything.
Not even if it was a chocolate caramel.
I had a chocolate caramel once two years ago,
and it was simply delicious.
I've often dreamed since then that I had a lot of chocolate caramels,
but I always wake up just when I'm going to eat them.
I do hope you won't be offended because I can't eat.
Everything is extremely nice, but still I cannot eat.
I guess she's tired.
Best put her to bed, Marilla.
Yes. Let's do that.
I suppose you have a nightgown?
Yes, I have two.
But they're fearfully skimpy. There is never enough to go around in an asylum...
I hate skimpy night-dresses.
But one can dream just as well in them as in lovely trailing ones
with frills around the neck.
That's one consolation.
Well, undress as quick as you can and go to bed.
I'll come back in a few minutes for the candle.
I daren't trust you to put it out yourself.
You'd likely set the place on fire.
Good night.
How can you call it a good night?
You know it must be the very worst night I've ever had!
Well, this is a whole kettle of fish...
This is what comes of sending word instead of going ourselves.
One of us will have to drive over and see Mrs. Spencer tomorrow, that's certain.
This girl will have to be sent back to the asylum.
Yes, I suppose so.
You suppose so!
Don't you know it?
Well now, she's a real nice little thing, Marilla.
It's kind of a pity to send her back when she's so set on staying here.
Matthew Cuthbert, you don't mean to say you think we ought to keep her!
Well, now, no, I suppose not--not exactly...
I suppose...
we could hardly be expected to keep her.
I should say not. What good would she be to us?
We might be some good to her.
Matthew Cuthbert...
I believe that child has bewitched you!
Well now, she's a real interesting little thing.
You should have heard her talk coming from the station.
Oh, she can talk fast enough.
I saw that at once.
It's nothing in her favour, either.
I don't like children who have so much to say.
And I don't want an orphan girl.
No, she's got to be despatched straight-way back to where she came from.
I could hire a French boy to help me,
and she'd be company for you.
I'm not suffering for company, and I'm not going to keep her.
Well now, it's just as you say.
I'm going to bed.
Ashita ha donna hi?
Donna shiawase ga matteiru kashira
Ashita ni naru mae ni
Nozokitai no nozoite mitai
Kossori nozoite mitai no
Yume no yume no kakera wo
Gazing at the scene of the cherry blossom and dandelion outside the window,
Anne finally regained her happy heart.
Next on Anne of Green Gables:
"Morning at Green Gables"
Please watch!
[Sub Web Master Cyber Zero]
[Sub Styler Cyber Zero]
[Sub Karaoke Cyber Zero]
[Sub Raw-hunter Jef Ruizu]
Producer Motohashi Koichi
[Translator]
[Cyber Zero] [Silver Dragoon]
[Timer]
[Cyber Zero] [Silver Dragoon]
Production Management
Takakuwa Mitsuru
Planning
Satou Shouji
[Quality Checker]
[Cyber Zero] [Silver Dragoon]
[Opening translator]
[M-432]
Screenplay
Chiba Shigeki
Takahata Isao
"I won't dream"
Lyrics - Kishida Eriko
Composed and Arranged - Miyoshi Akira
Music
Mouri Kuroudo
Hashittemo hashittemo
Layout and
Miyazaki Hayao
Scene Composition
Owaranai hana no nami
Mizuumi ha tooku
Animation Director
Kondou Yoshifumi
Character Design
Moeru kumo ha motto tooku
Art Director
Ioka Masahiro
Photographic Supervision
Kuroki Keishichi
Audio Supervision
Urakami Yasuo
Animation Supervision
Maeda Hidemi
Theme song and background music
Lyrics
Kishida Eriko
Composition
Miyoshi Akira
Singer
Oowada Ritsuko
Performer's Voices
Anne
Yamada Eiko
Marilla
Kitahara Fumie
Performer's Voices
Matthew
Saikachi Ryuuji
Narrator
Hazama Michio
Animation
Shinohara Masako
Tomizawa Nobuo
Shinkawa Nobumasa
O-Production
Murata Kouichi
Saida Shunji
Tomonaga Kazuhide
Hana no naka de ichinichiha owaru
Finishing Inspection
Yasuda Michiyo
Backgrounds
Studio Aqua
Ishibashi Ken'ichi
Paint
Studio Robin
Photography
Trans Arts
Hagiwara Ryou
Samenai yume mitai ni
Editing
Seyama Takeshi
Sound Effects
Matsuda Akihiko
Sound Arrangement
Nakatokawa Tsugio
Audio Studio
AVACO Studio
Development
Eastern Development Lab.
Production Assistant
Baba Ken'ichi
Production Desk
Masuko Soujirou
Production Assistant
Takeuchi Kouji
Samenai yume mitai ni
Producer
Nakajiima Juunzou
Endou Shigeo
Production
Takahata Isao
Produced by Nippon Animation
Fuji Terebi Bessho Takaharu